Selected Works is 40% of your AP® score: five digital images of five works, each with short written evidence. Readers score the five together on one 1–5 rubric with three criteria: A, written evidence; B, 2-D skills; and C, synthesis of materials, processes, and ideas. This chapter covers what you submit, the rubric's decision rules, how to present your images, and the integrity and AI rules that apply to your whole portfolio.
- Selected Works
- The portfolio section worth 40% of your AP® score: five digital images of five final works, each showing synthesis of materials, processes, and ideas using 2-D skills.
- Example: A student uploads five finished pieces, two collages, two photographs and a print, each with its own written evidence.
- written evidence
- The written components that accompany your works; in Selected Works, the idea, materials, processes, digital tools and citation fields for each work.
- Example: Beside a photo collage, a student's five short fields say what was used, how it was used, and what idea shows.
- viewer
- Anyone who looks at a work of art or design, including the artist or designer who made it.
- Example: An AP® reader, a classmate at critique and the student stepping back from the easel are all viewers.
- Artistic Integrity Agreement
- Your attestation, when you submit as final, that all works in the portfolio were done by you and the images accurately represent your actual work.
- Example: Before the Selected Works component goes in, the student must acknowledge the agreement; all final work must be student-authored.
- digital image
- The photo or file of a work that you upload to the AP® Digital Portfolio; readers see your work only through these images.
- Example: A student photographs a finished painting flat-on in even daylight, then crops away the easel before uploading.
- visual evidence
- The visual components that make up your works of art and design: what a reader can actually see in the submitted images.
- Example: Visible brush drag marks and stacked transparent glazes are visual evidence of how a painting was made.
- presentation (formal and informal)
- Deciding what to show, when, how and to whom. Informal: showing work in progress for feedback. Formal: showing completed works publicly to multiple viewers.
- Example: Pinning a half-finished print up to ask classmates about its color is informal; a school gallery show is formal.
- plagiarism
- Copying another work or image, even in another medium, and representing it as your own. It is unethical, and College Board may cancel your score for it.
- Example: Repainting a stranger's online photo detail for detail, with no citation, and calling the painting an original idea.
- Idea(s) visually evident prompt
- The written field, up to 250 characters including spaces, where you state the idea a viewer can actually see in that work.
- Example: For a print of bent window reflections, a student writes that the warped shapes suggest a city that feels unstable.
- identify (rubric verb)
- To indicate or provide information. Criterion A asks your writing to identify materials, processes, and ideas, not to explain them at length.
- Example: "Watercolor and salt on cold-press paper" identifies materials in six words.
- image legibility
- How clearly a digital image shows the actual work. Check lighting, focus and overall clarity so readers see accurate representations of your work and process.
- Example: A student reshoots a glossy painting from a slight angle to remove glare, then checks focus at full size.
- preexisting source material
- Any photograph, image or work you didn't make, including imagery generated by tools or systems; it must be cited and observably transformed.
- Example: A vintage postcard, a stock photo and an AI-generated reference picture all count as preexisting source material.